When out of flow, there is something left unacknowledged… neglected… something to give away. At times it is a phone call, or promise not yet followed through with (to myself or others). Maybe I’ve not gotten quiet enough for the still small voice of intuition to float up to conscious experience. I begin to ask, “Did I follow the last instruction? What WAS the last instruction?”
Elizabeth Gilbert described a similar sensation recently:
“I am writer. If I have a story in me that I’m not able to tell, things will start going wrong all over my life. If I have a story in my head and I tell it, “I’ll get to you in 2015,” that story will start to rebel, start to act out, start to claw at the walls. That’s when the shit gets dark in my world.
Because having a creative mind is something like a owning Border Terrier; It needs a job. And if you don’t give it a job, it will INVENT a job (which will involve tearing something up.) Which why I have learned over the years that if I am not actively creating something, chances are I am about to start actively destroying something.” Elizabeth Gilbert
So, here, is my shot in the dark, for what is waiting to be seen…
Three years later, I understood the dream mandala. It had been a gathering of distinct scenes, some illuminated. A circle of singing angels was among the bright spots, as were various work places, passageway kitchens. A grand and wide-spreading tree dug into the heart, under which refugees gathered. Yet that area was dark, awaiting resources. I leaned my face nose to nose with a small, unknown child, and felt responsible for her.
On the outskirts of the mandala was a fence, separating the scenes from a parking lot where visitors arrived – people who in some cases were intimate friends, yet couldn’t or wouldn’t, intermingle with the rest. I remember feeling that those inside of the fence would be benefited by their incorporation, but that it wasn’t the only way. A usually tired friend arrived, with long healthy hair, seeming much younger (A few months later she received a large inheritance which unburdened her deepest concerns).
I was looking for my son (a recurring happening from the time he was very young) and could get through some areas very easily but, like a labyrinth, other areas were less welcoming. I tried to climb up a set of small stone stairs and when hindered, another passage appeared, sloping down. There he was. I sat on a bench and simply watched him playing for a while.
I have wondered whether this is a story not to tell but to paint, but I don’t paint anymore. I gave up painting because I was mediocre and not as compelled as I have been to write. This afternoon, a cousin from a part of my family I love but am not entwined with, said that she and her parents cherish the painting I gave them… that it remains in their main living room. I couldn’t remember, although it must be a copy of the first painting, the one I lost myself in entirely as though under anesthetic, emerging with it finished and projecting a certain portal energy. The experience of that painting, more than the finished product, felt to be a taste of an entire lifetime… each stroke a particular journey, arising from previous strokes yet also from nowhere, coming together in a restful Flow.
“Great things are done by a series of small things brought together.”
-Vincent Van Gogh